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Taking
their bows at last night's American Ballet Theatre gala
after the performance of Agnes de Mille's "Rodeo" at
City Center. 9:10 PM. Photo: JH.
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| Another
beautiful day in New York. The kind where, if you’re
like me, walking the dogs down by the riverside, sun glistening,
light breeze gusting here and there, you say aloud: what a beautiful
day, and for a moment there everything is All Right.
At about six-thirty I went over to the Fifth Avenue apartment
of Georgette Mosbacher where she was throwing
a cocktail/book party
for Michael Gross and his new tome 740 Park
Avenue; The Story of the World’s Richest Apartment Building (see
NYSD
10/4/05) which is one of the most interesting non-fiction
books you’ll ever read about New York society in the last
75 years.

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Michael
Gross
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Mrs. Mosbacher,
the cosmetics and skin-care tycooness, invited 200 of the most
prominent talkers, opinion-makers, blabbermouths
and social gadflies, along with their best friends, acquaintances
and the people who make up the media. Very smart, Mrs. Mosbacher,
she is. Because practically everyone in the room is dying to
read the book to find out if Michael Gross wrote what they
already know
(but wouldn’t tell him), and just exactly where he drew the
line in revealing the “inside” on all the families
that have lived in this famously sought after residential building
that sits on the northwest corner of Park Avenue and 71st Street.
Jackie Onassis’ grandfather James T. Lee built
it, beginning in the same year she was born (1929) and completing
it two years
later when the world had fallen apart and a lot of the formerly
rich were still jumping out windows. Nevertheless, like Scarlett
and Tara, the sun did come up tomorrow, paving the way for
all kinds of new family sagas (including Jackie’s parents Janet
and Jack Bouvier who lived there briefly, thanks to the generosity
of Mr. Lee), most of which, like all family stories, are gone
with the wind.
There were a number of people at Mrs. Mosbacher’s quite
palatial apartment who either lived in the building or were
related to those
who lived in the building. Dasha Epstein, the Broadway producer
lived there from the late 1950s through the early 1970s. David
and Julia Koch have just moved in. Alice Mason, the absolute
empress of private residential real estate brokers had a hand
in the puchase
and sale of several of the apartments (and sometimes the same
apartment more than once). Jesse Araskog and her husband recently
sold their
co-op there. Diana Quasha who recently sold her 720 Park Avenue
apartment lived at 740 before that. Kathy Steinberg, the sister-in-law
of Saul Steinberg, was the broker on both sides of the deal when
Steve Schwarzman paid $31 million to buy the old John
D. Rockefeller Jr. apartment from Mr. Steinberg. Dominick
Dunne never lived
there but more than one character in his novels has lived in
a buildling
Just Like It (fiction, of course).

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Click
image to order 740 Park
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In many ways, New York is a small town, and like all small
towns, there are the pieces of real estate (the biggest
house in town,
for example) that stimulate interest, envy, greed, and all
the other Machiavellian traits that taunt our psyches
at one point
or another. 740 Park is the place that frequently haunts the
dreams of the must-haves in Manhattan.
The fabulous Mosbacher digs had more than enough
room (and then some to go around) for the clamoring
crowd
last night,
and so
many of them knew each other, or knew of each other, or
always wanted
to know each other. So it was like Old Home Week visits
Lifestyles of the Rich and Famous (without what’s-his-name’s
bellowing voice to distract).
There will be discussions for some time as to whether or
not Michael Gross was fair or mean to the tenants of the
building.
It doesn’t
matter. As I’ve written here before about his book, it is
a testament to the fact that all gossip ultimately becomes history,
even, alas, the stuff that’s not true. |
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Geoffrey
Thomas, Sharon Sondes, and David Koch
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Jamie
Whitehead, Deborah
Schoeneman, and Robert Zimmerman
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Dominick
Dunne and Christopher Mason
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Somers
Farkas and Jesse Araskog
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Georgette
Mosbacher and Lyn Paulsin
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Ron
and Harriet Weintraub
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Mario
Buatta and Anthony Haden-Guest
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Tiffany
Dubin and Kevin Krier
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R.
Couri Hay, Rupel Patel, and Robert Burke
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Leba
Sedaka, Martha Kramer, Neal Fox, and Gina de Franco
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Deborah
Schoeneman and Richard Meier
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Byron
Wien and Barbara
Goldsmith
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Jeanne
Lawrence and Marjorie Reed Gordon
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Nancy
Holmes and Michael Gross
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Dasha
Epstein and Olivia Hoge
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Gail
and Kevin Buckley with Warren Hoge
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Phoebe
Eaton
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Barbara
Goldsmith and Kathy Rayner
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Leslie
Stevens and friend
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Allison
and Leonard Stern
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Ann
Rapp and Nancy Holmes
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Kathy
Steinberg
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Jill
Brooke, Phyllis George, and Mr. and Mrs. Henry Schlieff
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Kenny
Lane and Wendy Stark
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Mr.
and Mrs.
Ed Klein
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Catherine
Saxton, Cornelia Bregman, and Lloyd Grove
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Wendy
and Geoffrey Gates
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Mai
Harrison and Alan Grubman
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Cindy
Adams and Robert Zimmerman
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Alice
Mason
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Dominique
Richard
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Dominique's
shoes
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Wendy
Sarasohn, Christine Biddle, and Nancy Gillon
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Lyn
Paulsin and Lesley Stahl
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The
Mosbacher living room
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Dr.
Richard Bockman and Gale
Hayman
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Christine
and Carl Bernstein with Deborah Grubman
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Champagne
makes the rounds
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John
and Nancy Burges with Mallory
and Roy Kean
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Kirk
Henckels and Fernanda Kellogg with a friend
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After
almost an hour of schmoozing, gnoshing, quaffing (shloshing)
and picture taking, JH and I decided to move on down
the Avenue to the apartment of Linda and Arthur Carter who
were giving a book party for their very good friend Peggy
Drexler who’s
written a book on a recent phenomenon in American domestic life
called Raising Boys Without Men.

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Peggy
Drexler holding Raising
Boys Without Men. Click
image to order.
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Mrs. Drexler
is a professional psychologist and so she knows something about
her
subject. She told us that now only 25% of American families have
a mother and father living together. The rest are single parents
and their children. She didn’t mention gay parents and their
children although I would imagine the percentage might still be
in the single digits. However it is, it’s very often an uphill
battle or at least a great challenge; one which Mrs. Drexler addresses
brilliantly.
Mrs. Drexler has her own family. Her husband Mickey is a merchandising
tycoon who made his fortune by creating and running The Gap for
many years before his grateful bosses asked him to leave after
a couple (that’s all it takes in la-la land) bad quarters.
Although he evidently was set for life financially after leaving
the The Gap, he still had a hunger for the game and so now he’s
running J. Crew and quite successfully. |
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Arthur
and Linda
Carter
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Kathy
Sloane
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Because
we’d spent so much time at Ms. Mosbacher’s the Carters’ party
was beginning to run down when we arrived. Peggy Drexler was
busy signing books. The Carters were in conversation with Carl
Bernstein and his wife Christine, who’d
also been at the Mosbacher party. We got a couple shots and then
headed over to City Center in order to make the second act of
the ABT autumn gala.

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Allison
Stern, Grace Hightower, and Muffie Potter Aston
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We
made it to the City Center (on 55th between 6th and 7th) just
as it was breaking for intermission. Coincidentally we ran into Jacob
Bernstein, the reporter son of Carl (and writer/director Nora
Ephron).
Again JH got some shots of the opening night crowd and the bells
started ringing for the beginning of the second act. Having not seen
the program, having no idea what to expect, it was astonishingly
nostalgic when the curtain rose to Oliver Smith’s
scenery and the music of Aaron Copland and Agnes
de Mille’s historic ballet
of the American Southwest, “Rodeo.”
“Rodeo” was first performed sixty-three years and three
days ago by the Ballet Russe de Monte Carlo and became part of the
repertory
of the ABT when they were performing in Wiesbaden, Germany in August
1950. Agnes de Mille, a niece of the famous film director Cecil
B. de Mille, grew up in Los Angeles where she went to school with Louis
B. Mayer’s daughters, with Jean Harlow, Joel
McCrea, etc.,
and went on to become the premiere female American choreographer
whose work was part of the ground-breaking musical “Oklahoma” (which
opened in 1943).
So it was impossible for me, never having seen “Rodeo,” although
being familiar with the music, to think of what it must have been
like for those European audiences, back in the terrible and wretched
time of World War II destroying so much of Europe, to see this pure
and simple dance story set in a faraway and serene environment of
the American Southwest where the issue was the age-old one for that
place and most times: a story of a woman looking for a suitable man.
The audience loved it, understandably. |

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Saracino
Fendi and Peter Lyden
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Jacob
Bernstein
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Jackie
Weld Drake and Rod Drake
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Rachel
Moore
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Intermission
at the Ballet
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Peg
Ranieri, Paul Beirne, Sharon Patrick, and Lew Ranieri
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Jonathan
Farkas
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Muffie
Potter Aston, Somers Farkas, and Grace Hightower
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Outside
of NY City Center post performance on our way to The
Pierre
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| From the City Center we moved on – walking
on this beautiful night across Fifty-seventh Street to Fifth
and up to the Pierre on 60th – for dinner and dancing in
the hotel ballroom. Visions of the dancers’ “roping,
riding branding and throwing” in “Rodeo,” still
dancing in our heads. |
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Judy
Peabody
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Amy
Fine Collins and Alex Hitz
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